重大活动的现场照片大多采用广角拍摄宏大场面,长焦捕捉人物表情;由于程序划一,要出彩很难,若追求传神,就更得另辟蹊径。11月13日,美国国家林荫大道上第一个纪念非洲裔美国人的建筑物——马丁·路德·金纪念碑破土动工。拍摄者放弃对全景、全身的刻画,采用局部截像的方式,力图实现“陌生化”效果;通过深色礼服为背景组成的浓重色调,不动声色地传达对马丁·路德·金、对“I have a dream”的追思。鲜明的色彩对比,将视觉重心迅速拉到那排铁锨和握铁锨的手上。那一双双不同肤色的手,以相同目的聚在一起,格外让人想起马丁·路德·金曾经说的:“我梦想有一天,我的四个孩子将在一个不是以他们的肤色,而是以他们的品格来评价他们的国度里生活。”是的,昔日奴隶的儿子终于能和昔日奴隶主的儿子在一起共叙兄弟情谊。 Major events of live photos are mostly taken with wide-angle shooting magnificent scenes, telephoto capture character expression; due to the process of uniform, it is difficult to color, if the pursuit of vivid, even more to find another way. On November 13, the monument to Martin Luther King, the first monument to commemorate African Americans on the Boulevard of the United States, was groundless. Photographers abandon the panorama, the whole body portrayal, the use of partial truncation of the way, trying to achieve “unfamiliar ” effect; through the dark dress as the background composed of thick tones, vividly convey to Martin Luther King , On the “I have a dream ” memorial. Bright contrast of color, the visual center of gravity quickly pulled to that row of iron 锨 and hold iron 锨 hand. The hands of both different colors, gathered together for the same purpose, are especially reminiscent of what Martin Luther King once said: “I have a dream that one day my four children will be in one not with their skin color, But in their character to evaluate the life in their kingdom. ”" Yes, the sons of the former slave finally came together with the former slave-owner’s son to talk about brotherhood.