戏曲艺术是我国的国粹,博大精深,讲究角色塑造、讲究唱念做打、讲究形式美感,既反映生活,又比生活更夸张更鲜明。戏曲的虚拟性、象征性、夸张性和中国水墨人物画夸张变形的写意手法在艺术本质上是一致的。它们在审美和文化价值的取向上有许多共同之处,都很讲究虚实,讲究计白当黑。戏曲中以虚带实的表演,道具和布景的简单处理,以虚当实,虚实相生,使艺术家的表演更加突出丰满,这与国画的留白有异曲同工之妙。只有在 Opera art is the quintessence of our country, profound and profound, pay attention to the role of shaping, pay attention to sing and do hitting, pay attention to the formal beauty, not only reflects life, but also more exaggerated and more vivid than life. The virtual, symbolic and exaggerative features of the opera, as well as the freehand style of exaggerating and transforming Chinese ink figures, are essentially the same in art. They share many similarities in the orientation of aesthetic and cultural values. They are very particular about the actual situation and pay more attention to the fact that they should be considered as black. The simple handling of performances, props and scenery in the dramas shows that the artist’s performances are more prominent and plump. This is similar to the traditional Chinese painting. only at