对于中国当代以杨飞云、王忻东、郭润文、夏星、翁伟和李贵君等为代表的新古典主义油画,或许也不能仅仅从一种迎合艺术市场的、表现都市精致生活的唯美主义潮流来定义。他们的贡献当然首先是在当下图像泛滥的时代对欧洲古典主义艺术精神的致敬,并由此推动中国油画重新回到欧洲油画艺术传统来改进与完善在造型理解与语言驾驭等方面的先天不足,其次则是他们以古典主义的造型法则与理性精神来丰富中国当代人文形象的艺术意蕴,塑造出高贵、诗性、时尚而富有寓意的东方艺术形象。 Neoclassical oil paintings represented by contemporary Chinese figures such as Yang Feiyun, Wang Xin Dong, Guo Runwen, Xia Xing, Weng Wei and Li Gui-jun may not be defined solely by the aestheticist trend of catered to the fine arts of the city that caters to the art market . Their contribution, of course, is firstly to pay tribute to the artistic spirit of European classicalism in the current era of image flooding and to promote Chinese oil painting back to the tradition of European painting art so as to improve and perfect its inherent deficiencies in modeling comprehension and language control. Secondly, They enrich the artistic connotation of the contemporary Chinese humanistic image with the classical stylistic rules and rational spirit and create a noble, poetic, fashionable and full of oriental artistic image.