中国工艺美术学会民间美术委员会于1985年9月25日在合肥市召开了第二届年会。参加会议的有全国各大专艺术院校,各省、市的工艺美术学会、工艺美术研究所、艺术馆、文化局(馆)以及国内各主要新闻、出版单位;反映了各方面对会议的重视。会议的主题是研究民间美术如何与四化建设和城市改革紧密联系;重点议题是:“民间美术与现代生活。认识、办法、规划以及远景设想”。到会同志一致认为年会的议题很好,也很重要。民间美术委员会副主任、南京艺术学院副教授张道一先生在大会主旨讲话中认为,民间美术目前存在五个层次。即·1、群众性的艺术创作:“只有在这个层次中,才能找到最纯真、最有原发性的 China Arts and Crafts Society folk art committee in September 25, 1985 held in Hefei, the second annual meeting. Attending the meeting are all major art colleges and universities in the country, arts and crafts academies, arts and culture research institutes, art galleries, cultural bureaus (museums) in various provinces and cities as well as major domestic news and publishing units in various provinces and municipalities; reflecting the importance attached by all parties to the conference . The theme of the conference is to study how folk art is closely linked with the four modernizations and urban reforms. The key topics are: “Folk Art and Modern Life. Understanding, Approaches, Planning and Vision.” The comrades in the meeting unanimously held that the agenda of the annual meeting is very good and very important. In the keynote speech of the conference, Mr. Zhang Daoyi, deputy director of the Folk Art Committee and an associate professor at the Nanjing Art Institute, holds that there are currently five levels of folk art. That is, 1. Mass artistic creation: "Only in this level can we find the purest and most original