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克尔凯郭尔运用间接沟通的方式传达其生存思想与审美内蕴。克氏不断颠覆世俗所认定的价值系统与审美人生,而重建一个新的体验和审美,尽管他的目的不是去重建,其审美的真正意义落实在字里行间对读者的引导。克氏要抛弃的是一种异化的审美,而追求审美的真正本性,即与生存相协调的审美。如果抛开克氏思想中的宗教倾向,其真正的审美境界乃是为了揭示生存的本真境遇,使人们从沉沦状态中觉醒,从而回归自我,实现真正的精神自由。
Kierkegaard uses indirect communication to convey his thoughts of survival and aesthetic connotation. Kesi constantly subverts the value system and aesthetic life affirmed by the secular, and rebuilds a new experience and aesthetic. Although his purpose is not to rebuild, his true meaning of aesthetics is implemented in the course of the reader. Karl’s abandonment is a alienated aesthetic, and the pursuit of the true nature of the aesthetic, that is, the aesthetic harmony with the survival. If we put aside the religious tendency in Keshi’s thought, the true aesthetic state is to reveal the true situation of existence, to awaken people from the sinking state, so that we can return to ourselves and achieve true spiritual freedom.