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作为当代文坛新兴女性作家,姚鄂梅表现出了对女性命运关注的情有独钟,然其小说并没有女性的柔美婉约,却流淌出“浓黑似墨沉重如铁的情绪”(1),显现出作者对恢宏的社会生活的一种文化关怀。其以往的作品,更多地表达了对文学青年关怀的诗性高扬、对故土眷恋的家园守望,以及对社会底层的忧虑关注。然新登于《收获》的《罪与囚》中,作者似进行着一种突破性的尝试,将对比这种古老的小说手法融和于叙事之中,仍旧是那种不动声色的叙事推进,却更加具有令人震撼的力度。
As a new literary writer in the contemporary literary world, Yao Emei has shown her interest in the fate of women. However, her novel does not have the graceful grace of women but flows out of her " , Showing the author of a kind of cultural concern for the magnificent social life. His previous works have expressed more poetic concern for the literary youth, concern for the homeland of his hometown, and concerns about the bottom of society. However, when he newly debuted in Harvest and Prison in Harvest, the author seems to make a groundbreaking attempt to blend the techniques of this ancient novels into the narrative, and still the kind of immutable narrative advance , But even more shocking.