从聊斋小说原著中简单的美与丑、善与恶的二元对立,到新世纪电影《画皮Ⅰ》将原作故事内核转换为对“小三”与“原配”之现代人婚恋观的探讨,再到电影《画皮Ⅱ》所述皮相与心之间的矛盾辩证关系,“画皮”的故事内核依据现代社会人的生活变迁而发生了有趣的变化。 From the simple beauty and ugliness of the novel in the novel of “Strange Tales” to the binary opposition between good and evil, in the new century, “Painted Skin Ⅰ” transforms the core of the original story into the modern concept of love and marriage for “Little Three” and “Original” , And then to the dialectical contradiction between the epidermis and the heart described in the movie “Painted Skin II”, the story core of “Painted Skin” has undergone an interesting change according to the changes of people’s lives in modern society.