诗分简单与复杂是从语言与内涵两个角度说的,目的是从诗歌本身寻回一把可信赖的丈量诗歌的尺度。通过赏析兰波、艾略特、弗罗斯特的诗证明表层简单或复杂的诗中都有好诗,当然,最好的诗是形式简单而内涵丰富的诗,与此相对的是表层复杂而内涵单薄的诗,它们极易滑入非诗的行列。那些表层与内涵均简单的诗,则模糊了诗的边界。因此,有必要从诗意的角度重新认识诗,以免将徒有格式或口水四溢的文字,错当作了诗,而败坏了读诗的胃口。 Simple and complex poetry is from the perspective of language and connotation of the two perspectives, the purpose is to retrieve from the poetry itself a reliable measure of poetry. The poems by Rimbaud, Eliot, and Frost testify that there are good poems on the surface of simple or complex poems. Of course, the best poems are poems with simple forms and rich connotations. The opposite is that the surface is complex Connotation of thin poetry, they easily slip into the ranks of non-poetry. Those verses whose surface and meaning are simple obscure the poem’s boundaries. Therefore, it is necessary to reconsider poetry from a poetic point of view, so as not to mistakenly format or overwhelmed the text as a poem, thus corrupting the appetite for reading poetry.