舞台戏剧表演在有限的时间、空间里得虚实相带,艺术魅力才油然生发。演《天河配》硬拉“活道具”真牛上台,实倒是实了,却削弱了艺术上的真善美。可是,艺术创作还得建筑在生活的基础上,否则,也就没了生命。笔者曾聆听自颇见功底的中年京剧演员张远志(宁夏京剧团)谈他如何表演《吕布试马》的一段创作体会,是很值得回味的。说是以舞蹈动作表演“降驹”中抚马背时,其初只是用手从虚拟的马头缓缓而下,直抚到马尾。当时,表演艺术家 Stage theatrical performances in a limited period of time, the space in the actual situation, the artistic charm of spontaneously hair. Act “Tianhe with” hard-drawn “live props” really cattle came to power, the truth is true, but weakened the art of truth, goodness and beauty. However, the creation of art must be built on the basis of life, otherwise there will be no life. The author once listened to the seemingly accomplished middle-aged Beijing opera actress Zhang Yuanzhi (Ningxia Peking Opera Troupe) as an example of how he performed “Lu Bu-test-horse” for a period of creation. It is worth recalling. When it was said in a dance show that the horse was stroking her back, she initially slowly lowered her hand from the virtual horse head to the horsetail. At that time, performing artists