The Analysis of Emily Dickinson’s Poem

来源 :青年生活 | 被引量 : 0次 | 上传用户:dddff628
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
  【摘要】:Emily Dickinson was an American poet. However, it was until after her death in 1886 that the breadth of her work became apparent to the public. The birds are one of the most frequent appearances in her poems. This paper mainly studied her poem -- A Bird came down the Walk. Through analyzing the skills Dickinson used in poetry writing, her love for the little creature was clearly shown.
  【關键词】:Emily Dickinson; poem; bird
  I.Review on Emily Dickinson
  Emily Dickinson (December 10, 1830 – May 15, 1886) was an American poet. She was born in Amherst, Massachusetts into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's house in Amherst. However, it was until after her death in 1886 that the breadth of her work became apparent to the public.
  Dickinson wrote many poems about nature. The weather, the seasons, the sun and moon, the sea, the plants and the animals are all her subjects in the poems. Birds are one of nature’s most common creatures. The little creatures in nature are Dickinson’s best friends in her lonely life. Naturally, she paid a lot of attention to them. She watched them play in her yard and recorded them in her poems. Therefore, they have become one of the most frequently subjects in Dickinson’s nature poems.
  II. The Analysis of Emily Dickinson’s Poem
  —A Bird came down the Walk
  The birds like singing and have beautiful voices. At the same time, they are a little timid, so they are afraid of human beings coming near to them. There is a poem about Dickinson’s encounter with a very lovely bird on the road.
  A Bird came down the Walk—
  He did not know I saw—
  He bit an Angleworm in halves
  And ate the fellow, raw,
  And then he drank a Dew
  From a convenient Grass—
  And then hopped sidewise to the Wall
  To Let a Beetle pass—
  He glanced with rapid eyes
  That hurried all around—
  They looked like frightened Beads, I thought—
  He stirred his Velvet Head
  Like one in danger, Cautious,
  I offered him a Crumb
  And he unrolled his feathers
  And rowed him softer home—
  Than Oars divide the Ocean,
  Too silver for a seam
  Or Butterflies, off Banks of Noon
  Leap, Plashless as they swim.
  The poem well reflected Dickinson’s sharp and delicate observation of the bird in nature. She used many rhetorical devices in order to effectively portray the image of the bird.   At the beginning of the poem, a bird suddenly “came down the Walk”. And the speaker—“I” immediately saw him without his notice. Then “I” got the chance to see all his following actions: “bit an Angleworm in halves” and “ate the fellow, raw,”, then “drank a Dew”. This is really a gorgeous meal for him and undoubtedly he felt very content to it. With such a good mood, when he saw a beetle coming, he “hopped sidewise to the Wall /To Let a Beetle pass—”. Here by using personification, the bird’s image as a gentleman comes lively in readers’ minds. The first two stanzas illustrate how the bird behaved when he thought he was safe in the nature. The words “bit”, “ate”, “drank” and “hopped” formed the bird’s carefree and idle life in nature.
  Then the bird may notice that there was someone watching, so he “glanced with rapid eyes” and “hurried all around—”. It then followed by a metaphor to deeply explain the situation. The alert eyeballs were like “frightened Beads”. “Beads” showed the shape of the eyeballs and the adjective “frightened” lively portrayed the bird’s expression in alert.
  “Like one in danger, Cautious,” is a pun. It can modify not only the bird in the above lines but also the speaker “I” in the following lines. When regarding it as the modifier of the bird, it goes on to show that the bird was frightened and his reaction about the situation—cautious. While it modifies “I”, it shows that the speaker did not want to scare the bird and offer “him a Crumb”. The person intended to establish a friendly relationship with the bird. What’s more, in this way, the bird and the speaker in this poem have been completely merged in the scene.
  However, after careful observation, the bird decided to leave. He “unrolled his feathers” and agilely flied home. In order to show his flying manner, Dickinson applied to two metaphors. She compared the wings of the bird to the oars, like “Oars divide the Ocean” without any trace. The bird “swims” freely in the sky the same as the boat “rowed” smoothly in the ocean. The only difference is that there is no plash. The bird flied even softer than the butterfly, lightly leaped and then disappeared. And here also the words “row”, “leap” and “swim” described not only the action of the bird but also the shadow of the speaker. Apparently, the bird is the poetic image of the poet herself. She lived happily in her own world and felt uneasy when there were some other people come to her. This completely fit with her real life. Through this unique point of view and rhetorical devices, the poet showed the readers a multi-dimension to appreciate the poem, “forming a stereoscopic picture” (Wu Dingbo 34).
  III.   Conclusion
  From the above poem, we can easily figure out Dickinson’s sharp and delicate observation of the bird in nature. By her remarkable writing skills, such as metaphor, personification, ellipsis and so on, she has effectively portray the image of the bird and her love for the little creature was clearly shown.
  Works Cited
  Johnson, Thomas H., ed. The poems of Emily Dickinson. Cambridge: Harvard UP ,1995.
  Kirszner, L. G., and S. R. Mandell. Literature: Reading, Reacting, Writing. Ed. HU Na and ZHANG Bing. 5th ed. Beijing:  Peking UP, 2006. 1039-97.
  Li Juan, and Wei Yuqi, ed. “Matthew 10”, New Testment. Tianjin: Tianjin People’s Publishing House, 2003.
  吳伟仁,《美国文学史及选读(下册)》。北京:外语教学与研究出版社,2009。
其他文献
【摘要】:日本政府4月1日发布新年号,定为“令和”。现任天皇定于4月30日退位,宣告“平成”时代结束。新年号自5月1日新天皇即位起施行。  【关键词】:日本,年号,兰亭序  这是日本宪政史上首次在皇位继承前夕公布新年号。当天上午,日本政府召集京都大学教授、诺贝尔生理学或医学奖得主山中伸弥等9位有识之士举行恳谈会,就新年号的备选方案征询意见,随后在听取国会参众两院正副议长的意见后召开内阁全体会议,讨
期刊
【摘要】:姜文的影片《邪不压正》上映之后,口碑就呈现两级化。本论文本着客观的态度,分析此电影真正要表现的内核,即从革命与英雄情怀,隐喻叙事,后现代主义特征三方面来解读,意在说明《邪不压正》所体现的价值观及人生态度,以及对现代人及现代中国的一点启示。  【关键词】:革命;隐喻;后现代主义  引言  历经四年的积淀,姜文的“民国三部曲”终于迎来了终章,即《邪不压正》。电影改编自张北海的武侠小说《侠隐》
期刊
家风,顾名思义就是一个家庭的风气,它是一个家庭的文化传统。家风具体表现为家族的生活方式、生活观念、价值理念等。家风像一面旗帜,指引着家族成员的日常言行,影响着家人生活的方方面面。   家风深受社会时代环境影响,具有鲜明的代表性、品行的继承性和深沉的影响性。中国优秀传统家风继承并象征着中国传统思想道德中的精华部分,代表现代社会主流价值倾向,是值得弘扬和歌颂的。中华优秀传统家风主要表现在修身、治家、处
期刊
【摘要】:互联网是将不同空间的人们连接起来,利用信息技术的特点形成的公众交流和互动虚拟空间。大学英语课堂教学是一个生态系统,在平衡与失衡之间摇摆。本文就针对互联网环境下大学英语生态课程进行研究。  【关键词】:互联网;大学英语课程;教学优化框架;教育生态学  一、注重培养学生的自主学习能力,加强外部监控  学生自主学习能力的培养有助于学生利用课余时间更好的学习。学生学习中的进步需要自己对自身学习情
期刊
【摘要】:摄影作品因具有独创性而受到著作权法保护,摄影作品的独创性体现在影响内容和效果能反映出摄影师在拍摄过程中所做出的独创性的选择和安排。没有人类智力劳动参与的机械自动拍摄的摄影作品因不具有独创性不受著作权的保护,有智力劳动的参与却并未实际体现的作品的著作权保护也具有争议。建议根据现有的大陆法系国家的实际做法,将现有的领接权种类丰富化,将此类独创性较低甚至没有实际意义的照片纳入邻接权的保护范围,
期刊
【摘要】:每个民族在饮食方面都有自己比较比较独特的风格与特征,因此也形成了许多独具民族特色的主题餐厅。不仅如此,民族特色餐饮还具有非常深厚的文化底蕴。从一个民族的饮食习惯、饮食方法、饮食种类可以了解到许多这个民族的文化和历史渊源。民族主题饭店的体验营销更是为了做到在获得一定收益的情况下,让顾客能更好的揭开各个民族的神秘面纱。  【关键词】:民族;饭店物流;体验营销  一、研究背景  近几年,体验经
期刊
【摘要】:思维导图,又称为心智图,是将放射性思考具体化的方法。它能运用图文并重的方式,充分利用左右脑分工的机能,将各级主题的关系用相互隶属与相关的层级图加以串联和表现,使各知识点之间形成形象的、具化的联系,并形成记忆的链接。这种方法,对于以点多面广,又互有关联性的《全国导游基础知识》课程的学习和复习来说是非常适宜的,它能帮助学生全面有效的梳理和整理相关的知识点,从而达到复习的目的。思维导图放射性思
期刊
【摘要】:于右任是中国近现代书法史上著名的书法家,其书法用笔雄健有力,结体自然宽绰,汲取汉魏晋唐诸家之长,熔章草今草狂草于一体,风格独特,自成一家。他的才情智慧和对书法艺术的无止境追求,为我们创造了大量的书法艺术珍品,为近代中国书法树立了一座丰碑,“草圣”的美誉名副其实。于右任书学思想对当代书法研究具有重要的现实意义,本文对于右任的书学思想进行深刻分析概括,充分意识到于右任书学思想对当今书法的重要
期刊
【摘要】:孟子继承并发展了孔子的天命思想,其更多地从道德精神与信念的角度来阐释“天命”,认为天是人性固有的道德观念的本原,主张积极发挥人的主观能动性去把握天命,在天命面前人可以积极有为,民心向背是得天命与否的重要因素,也为其仁政学说创立了基础。孟子的天命观影响十分深远,对后世乃至当今社会仍有值得借鉴的意义。  【关键词】:孟子;天命思想;性善;主观能动性;仁政  一、孟子对孔子天命思想的继承和发展
期刊
【摘要】:中国现代文学经历了漫长的发展历程,形成了众多在文学史上占有举足轻重地位的诸多小说流派,通过对小说流派的形成发展因素进行研究,有利于更好地去挖掘作家群体的文学风尚和美学追求和对文学发展整体所感知。本文将从影响流派形成和发展的政治与哲学因素着手进行讨论。  【关键词】:中国现代文学 小说流派 政治因素 哲学因素  摘要:关键词:流派是时代要求、文学风尚和作家美学追求要求的结晶,而且由于它
期刊