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冯友兰认为 ,世界的存在 ,有“真际”与“实际”的区别。“实际”是对实存事物的概括与抽象 ,“真际”是指事物本然的样子 ,即事物所以然之理。艺术有它“本然的样子” ,有它的理存在。任何艺术作品只能做到基本上合乎艺术之理 ,而不能全合。艺术之理只是理论上认可的“有”而在实际上不存在 ,因而可说是“无”。美与红一样 ,也有它的理存在 ,事物合乎“美之理” ,则为美的事物。冯友兰这种观点基本上属于客观唯心论。它有深刻之处 ,但它没有看到审美与认识的区别 ,将审美等同于认识 ,因而并没有解决美的本质问题。
Feng Youlan believes that the existence of the world has the distinction between “reality” and “reality.” “Actuality” is a generalization and abstraction of the real thing. “Trueness” refers to the natural appearance of things, that is, the reason why things are natural. Art has its “natural appearance” and its rationale exists. Any work of art can only be done basically in line with the art of reason, but not all together. Art theory is only theoretically recognized as “yes” and in fact does not exist, it can be said to be “no.” Like the red, the United States has its rationale as well. Things fit the “beauty of reason,” then it is the beautiful thing. Feng Youlan this view basically belongs to objective idealism. It has profound points. However, it does not see the difference between aesthetics and cognition, but equates it with cognition. Therefore, it does not solve the essence of beauty.