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萧红登上文坛投入创作的年代,正好是抗战文学提倡正面凸显战争的意义以激发昂扬的战斗激情的年代,大部分抗战作品已塑造典型的英雄形象和性格来重塑新的民族品格,作品中多见英雄主义和乐观主义的战斗情怀。但萧红并没有盲目地趋赴时势,炮制粗浅俗陋的抗战文学,始终以民间普通劳苦大众及其日常生活为表现对象,关注“人”的命运,发掘人的悲剧,审视民族痼疾,力图重塑国民品格。她的作品是宏大叙事边沿一个微小的,但嗓音独特的声音,在那个以政治为主导的特殊历史时期,显得更真实、更丰富。
Xiao Hong went to literary creation in the era of literary and art creations to advocate positive highlights the significance of the war in order to stimulate high fighting passion of the era, most of the works of war have shaped the typical heroic image and character to reshape the new national character, works See more heroism and optimism fighting feelings. However, Xiao Hong did not blindly follow the trend of the times and concocted popular and vulgar anti-Japanese literature. He always focused his attention on the fate of “people”, exploiting people’s tragedies and examining national illness, Trying to reshape the national character. Her work is a tiny, but vocal voice on the edge of a grand narrative that appears truer and richer in that particular political-led special history.