康熙五年广陵《念奴娇》调唱和被称作清初词坛‘三大唱和’之一。唱和词人都是中下层士人,其一致而深沉的主题和炽烈真率的抒情在清初词创作中可圈可点。‘广陵唱和’在江南奠定了雄健激昂、直写胸中的词风,从此稼轩词风开始稳居词坛,对清词中兴意义重大,同时,陈维崧在这次唱和中脱颖而出。 Guangling five years Guangling “Nianjiao” tune and is known as the early Qing Dynasty Ci ’one of the three major singing and’. Singing and Ci people are middle and lower literati, its consistent and deep theme and incisive true lyrical creations in the early Qing Dynasty creations. ’Guangling Singing’ lays a strong and stimulating straightforward writing style in the south of Yangtze River. From then on, the style of Jia Xuan’s Ci style has become a dominant word in the altar. It is of great significance to the ZTE of the Qing Dynasty. At the same time, Chen Weisong stands out from the singing.