曹禺等同志的《胆剑篇》(載《人民文学》1961年7、8期合刊号),經过北京人民艺术剧院进行了相当长时間的排练,于国庆节期間和首都观众見面了。这是一出很有意义的戏,它表現了春秋时代“越王勾践,……躬而自苦,任用賢臣,轉死为生,以敗为成,越伐彊(强)吳,…….始微終能以霸”的故事。近年来,不少剧作者和剧团都在編演这一題材,就我看过的几种剧本和演出,我觉得《胆剑篇》是其中較好的一个。这样的戏,給今天我国的观众看了,无疑是会起到很大的启发和鼓舞作用的。剧中有几个主要人物是塑造得很成功的。夫差的性格,在作者的笔下,被刻画得很鮮明;童超同志的表演也体現得好。他自 Cao Yu and other comrades of the “gallbladder articles” (containing “People’s Literature” in July 7, 7, 7 issue issue), after a long period of people’s art theater in Beijing rehearsal, during the National Day and the capital audience to meet . This is a very meaningful play. It shows that during the Spring and Autumn Period, “Yue Wang Gou Jian ... bowed himself, appointed Xian Chen, turned to death, defeated into, Vietnam cut strong (strong) Wu, ... ... Micro-micro can eventually dominate the story. In recent years, quite a few dramatists and theatrical troupes have been filming this subject. From the several scripts and performances I have seen, I think that ”Gallbladder" is one of the better ones. This drama, which has been read to our audience today, undoubtedly will have a great inspiration and encouragement. There are several main characters in the play that have been shaped very successfully. The character of the husband is very vividly depicted by the author; the performance of Comrade Tong Chao is also reflected well. He is from