清末民初,东渡日本求学的美术学子,是西洋画在中国引进传播的开拓者、先行者。他们怀着艺术救国的壮志踏上异国他邦,成批的归来,高举美术革命的旗帜,积极主动从事西洋画的引进传播以及新艺术教育运动。对开创艺术新纪元的渴望与努力,使他们脱颖而出,成为中国现代西洋画的开路先锋。中国美术学子留学日本的大背景与1895年中日甲午战争后的留日大潮有关。许多东京美术学校的毕业生来到中国各地,担任师范学堂美术教习,使一 At the end of the Qing Dynasty and the beginning of the Republic of China, the art students who studied in Dongdu in Japan were pioneers and forerunners who introduced Western painting in China. With their great will to save the country, they embarked on a journey of foreign countries and returned in batches. They held high the banner of art revolution and actively engaged in the introduction and dissemination of Western paintings and the art education movement. The desire and efforts to create a new era of art make them stand out from the crowd and become pioneers of modern Western painting in China. The background of studying Chinese art students in Japan is related to the tide of staying in Japan after the Sino-Japanese War of 1895. Many Tokyo art school graduates came all over China and served as a teacher of Fine Arts to make one