80年代初,中国第五代电影登上影坛。它像个幽灵,在黄土地上游荡,在高粱地中穿行,一时间吸引了众多的目光,使得中国影坛顿时成了激情骚动和掌声喧哗之地。在全球化的文化生产和观影体制中,第五代电影以祈雨、颠轿、祭酒、挡棺等东方仪式呈现的一幅幅民俗奇观,以古老封闭的宅院和宅院中受着力比多煎熬的年轻男女演绎着一幕幕传奇故事。这种民俗奇观和宅院传奇以其自身特有的神秘性 In the early 1980s, China’s fifth-generation film boarded the film. It is like a ghost, loitering in the loess, walking in the sorghum, for a time attracted a lot of eyesight, making the Chinese film suddenly became passionate shout and applause. In the globalization of cultural production and viewing system, the fifth generation of the movie presents a series of folklore wonders of the East with rituals such as rain, Britain, wine, coffins and so on. In the ancient closed houses and houses, The more afflicted young men and women perform the legendary scene. This folklore and house legend with its own unique mystery