论文部分内容阅读
西方艺术一直紧随科技的进步而不断地蜕变和演进。摄影术出现后,经短暂的印象主义过渡,后印象和现代画家渐渐丢弃古典油画在二维平面上制造三维错觉的绘画理念,让绘画回到二维的平面性思维,这场美学革命掀开了一个新的艺术世界。20世纪70年代后,欧美现代主义全面陷入彷徨和空乏,平面思维渐渐演化为一种缺乏感性的图式化制作,随着后工业时代电子和网络技术的兴起和普及,图式的编制、转译、复制和重组变得极为便捷,不再仅仅是艺术家值得炫耀的独门绝活,而渐渐成了普通大众的一种
Western art has been continually changing and evolving since the progress of science and technology. After the appearance of photography, after a brief impressionism transition, the post-impression and modern painters gradually abandon the painting concept of three-dimensional illusion on the two-dimensional plane by classical oil painting, and return the painting to the two-dimensional planar thinking. This aesthetic revolution opens A new art world. After the 1970s, Europe and the United States modernism fully caught in confusion and lack of space, the gradual evolution of the plane of thinking gradually evolved into a lack of sensual schema production, with the post-industrial era of the rise and spread of electronic and network technology, schemating, translation , Copying and reorganization become extremely convenient, is no longer just a unique artist worth flaunting, and has gradually become a kind of ordinary people