贺丹喜欢画人。第一次粗略浏览贺丹的作品,首得印象,贺丹画了两类人,“一群人”和“一堆人”。不是玩弄文字游戏,因为只要依着贺丹的艺术行旅一路梳理下来,两者的不同一目了然。显然,如果要给贺丹的创作分期的话,就我现在接触到的贺丹的作品来看,从美院毕业一直到在法国学习(包括在法国学习的初期)这期间,应该算是贺丹艺术行旅的第一个阶段。在这一阶段,贺丹以接近勃鲁盖尔式的艺术旨趣,通过《驴市》(1990)、《舞尘》(1993)、《葬礼》(1994)、《滑冰》(1994)等作品,努力追忆自己曾生活过的那片黄土地上的旧日歌谣。因此,我们可以把贺丹 He Dan likes to draw people. For the first time a rough overview of He Dan’s work, the first impression, He Dan painted two categories of people, “a group of people” and “a bunch of people.” Not play the word game, as long as the art brigade according to He Dan combed all the way down, the two different at a glance. Obviously, if you want to give a staging of He Dan’s works, from the works of He Dan I came into contact with, I would like to know that during the period from graduating from the Academy of Fine Arts to studying in France (including the early stage of studying in France) The first phase of travel At this stage, He Dan approached the Bruegelian artistic interest through works such as “Donkey” (1990), “Dance of Dust” (1993), “Funeral” (1994), “Skating” (1994) , Trying hard to remember the old songs on the yellow land that they had lived in. Therefore, we can put He Dan