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对明代徽州版画《环翠堂园景图》历史背景进行分析并对园景图作者汪廷讷所处历史时期及其所建“坐隐园”(以“环翠堂”为中心建筑的环翠堂园景)与文人的关联性分析,通过园景中所呈现出的文人的通景式罗列详解和由园景图视觉图像呈现的明末文人远离尘世喧嚣,追求安逸、恬静生活状态的考述,进一步探究明代徽州园林中的文人与人文性的关联。在此基础上,明代徽州园林营造中的文人性在人文上水、人文营造和人文意蕴方面有了来自文人生活氛围下的精神依托,从而揭示出明代末期徽州文人在现实社会状态下的理想与心灵归宿,以及明末徽州园林在营造中的人文价值取向,对研究明末徽州园林营造中的文人作用和建筑本身的人文特征具有一定的参考作用。
This paper analyzes the historical background of the Huizhou landscape painting of Huizhou in the Ming Dynasty and analyzes the historical period of the landscape architecture author Wang Tingne and the historical relics of “Sitting Hidden Garden” (“Huan Tsui Tang” Center of the Central Building Tsui Tsui Church landscape) and the literati’s relevance analysis, through the garden scene presented by the literary landscapes listed detailed explanation and visual images from the garden map presented late Ming literati away from the hustle and bustle of the earth, the pursuit of ease, The study of the state of quiet life, to further explore the relationship between the literati and humanity in the garden of Huizhou in the Ming Dynasty. On this basis, the literati in the creation of Huizhou gardens in the Ming dynasty relied on the spiritual support from the literati life atmosphere in the aspects of humanism, humanities construction and humanistic implication, so as to reveal the ideals of Huizhou literati in the real society in the late Ming Dynasty As well as the orientation of humane values in the construction of Huizhou Gardens in the late Ming Dynasty. It is of some reference to the study of the role of scholars in the construction of Huizhou Gardens in the late Ming Dynasty and the humanistic features of the buildings themselves.