艺术家具有一种力量,他能在一种异质的媒介中,让既定的现实再次出现。艺术和实在之间的区别,不是此物和彼物的区别,而是态度和态度的区别,也就是说,区别不在于我们与什么东西打交道,而是我们如何与它打交道。浅读丹托《寻常物的嬗变》一书,发现艺术理论的话语表现的更为潜在。在走向“everything goes”的历史进程中,就提出了这样的问题:与其问究竟什么 The artist has a power that enables the established reality to reappear in a heterogeneous medium. The difference between art and reality is not the difference between the object and the object, but the difference between attitude and attitude. That is to say, the difference lies not in what we deal with, but in how we deal with it. To read Danto’s “Transmutation of the Common Things”, we find that the discourse of art theory is more potential. In the historical process of moving toward “everything goes,” one poses the question of what to ask