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谈到蒙古,总让人联想到辽阔无边的大草原,满目成群的牛羊,能骑、善射、豪饮、畅歌的马背上的蒙古人。这部由蒙古和德国联合摄制的《小黄狗的窝》呈现出蒙古草原另外一种面貌。作品沿袭了蒙古国女导演琵亚芭苏伦.戴娃上一部纪录片的风格,以沉静的纪录性叙事,讲述了蒙古草原一个普通家庭的故事。本文以此为论,通过诗情、诗趣、诗意对该片叙事手法上的纪录性进行分析。
When it comes to Mongolia, it is always reminiscent of vast expanses of prairies, flocks of sheep and sheep, Mongolians on horseback riding, shooting, drinking and singing. The “small yellow dog’s nest” jointly produced by Mongolia and Germany shows another aspect of Mongolia’s grassland. The work follows the style of a documentary by the Mongolian female director Piya Bassulun. Daiwa tells the story of an ordinary family in Mongolian steppe with a quiet record narrative. This article takes this as a theory, through the poetry, poetry, poetry to the narrative method of the record on the analysis.