世界童话大师——林格伦这位“童话老祖母”于 2 0 0 2年 1月 2 8日离我们远去了 ,但她的一颗童心将永远跳动着。当再次拜读“地球村”图书系列中的四部作品时 ,猛然发现其创作风格呈现一种交替变化的态势 ,并可用“互补性”来概括。本文试图从幻想与现实的互补、“爱的母题”与“顽童的母题”的互补、轻松与忧郁的风格的互补三个方面来论述林格伦这一“互补性”的创作特点。并以此文来怀念我们的“老祖母”。 The world fairy tale master - Lindgren, the “fairy tale old grandmother,” left us on January 28, 2002, but her innocence will always beating. When I again read the four works in the “Global Village” series of books, I suddenly found that their creative style presents an alternating trend and can be summarized by “complementarity.” This article attempts to discuss the creative features of Lindgren ’s “complementarity” from three aspects: the mutual supplement of fantasy and reality, the complementarity between the motif of “love motif” and “the motto of urchin”, and the compliment of the relaxed and melancholic style. And use this to miss our “grandmother.”