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中古时期,人们对赋的审美倾向可用“欲丽”来概括。围绕“丽”这个词素,时人合成了一个个含义丰富且具有审美价值判断的词语。这些合成词语,无疑反映出中古时期美学趣向的开放性、丰富性和具体性,并进而促成了“丽”这一审美范畴的定型。以“丽”来形容器物、品鉴人物、阐释文艺,构成了中国古典审美活动的一个重要方面,而且它本身也逐渐构成了一个演进历程复杂、审美内涵丰富、活动场域广阔的“丽”美系统。同时,我们应当看到的是,“丽”在其形成、发展的过程中,积淀了各个时代的美学精神,并形成了丰富的审美内涵。
In ancient times, people’s aesthetic tendency toward Fu can be summarized by “For Li”. Around the “Li ” the morpheme, when people synthesize a rich meaning and aesthetic value judgments. These synthetic words undoubtedly reflect the openness, richness and specificity of the aesthetics interest in the Middle Ages, and further contributed to the formation of the aesthetic category of “Li”. To “Li” to describe objects, tasting characters, interpretation of literature and art, constitutes an important aspect of Chinese classical aesthetic activities, and it itself gradually formed a complex evolution process, rich in aesthetic connotation, a broad field of activities “Li ” beauty system. At the same time, we should see that in the process of its formation and development, “Li” has accumulated the aesthetic spirit of each era and formed a rich aesthetic connotation.