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姚兆明是扬州籍台湾著名的女性画家,其字、画清新隽逸,传承“溥派”的遗风。既兼收了清新高雅的文人画画意,又巧妙融合了西方造型,这种书法与画法、东方与西方结合所透出的“古为今用、洋为中用”的创新观念与20世纪50年代以李震坚、方增先等人为首开创的新浙派有着千丝万缕的渊源。本文通过以下几方面:姚兆明的绘画风格、新浙派的艺术风格、姚兆明与新浙派的联系、姚兆明与新浙派对当今书画界的影响,比较姚兆明与新浙派之间的相似之处,两者对于当今中国画如何恰当处理好现实、传统和西方三者间的关系,既继承中国文人画传统的民族精神,又吸收西方优秀的文明成果,对中国画的教学和创作起到良好的导向作用,同时,对当今中国画的发展、再创新产生划时代的影响。
Yao Zhaoming is a famous female painter in Yangzhou who is a Taiwanese artist. His character, his paintings are fresh and elegant, inheriting the legacy of “Pu school.” Both fresh and elegant literati painting meaning, but also clever fusion of the Western style, this calligraphy and painting, the East and the West revealed by the “ancient to modern, the ocean is the use of” innovative ideas and the 20th century 50 In the era of Li Zhenjian, Fang Zengxian and others pioneered by the new Zhepai inextricably linked. This article through the following aspects: Yao Zhaoming’s painting style, the art style of the new school of Zhejiang, Yao Zhaoming and the relationship between the new Zhejiang school, Yao Zhaoming and the influence of the new Zhejiang school on the contemporary painting and calligraphy circles, Yao Shaoming and the new Zhejiang school to compare the similarities between the two How to properly handle the relationship between reality, tradition and western culture in today’s Chinese painting not only inherits the national spirit of the Chinese traditional literati art, but also absorbs the outstanding achievements of the western civilization and plays a good guiding role in the teaching and creation of Chinese painting. At the same time, The epoch-making influence on the development and re-creation of today’s Chinese painting.