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一、“心理距离”的概念与内涵要探讨舞蹈的审美距离就得先从“心理距离说”说起。它是由英国心理学家爱德华·布罗提出和创立的一种心理学美学理论。他把“心理距离”看成是美学的一个重要原则、美感的一种重要特征、艺术的一个基本因素和审美价值的一个特殊标准。首先,他所说的距离指的不是艺术品与观众间的物理距离,而是一种心理距离。根据美国《韦氏新国际英语词典》对“心理距离”概念的解释,心理距离又称审美距离,它是指艺术
First, “psychological distance ” concept and connotation To explore the aesthetic distance of dance, we must first talk about “psychological distance ”. It is a psychology aesthetics theory proposed and founded by British psychologist Edward Brod. He regards “psychological distance ” as an important principle of aesthetics, an important characteristic of aesthetics, a basic factor of art and a special standard of aesthetic value. First, the distance he refers to refers not to the physical distance between the artwork and the audience, but a psychological distance. According to the American “Webster’s New International Dictionary of English” on the “psychological distance” concept of interpretation, psychological distance, also known as aesthetic distance, it refers to the art