手捧一本《文化苦旅》,随着作者的笔触在字里行间中游历了大半个中国。旅行结束,本应陶醉于祖国的壮丽河山、悠久历史和灿烂文化,然而我却无法使自己陶醉,心头莫名地涌出一种苦涩的感觉。我一直对《文化苦旅》中的“苦”字百思不知其义,起初以为无非是指旅行的劳苦,现在才发觉这实在是过于幼稚的理解。其实,苦于身无所谓苦,苦于心才实为苦。作者曾感慨道:“文人似乎注定要与苦旅连在一起。”我以为,这乃是文人最大的财富。苦涩过后总会留下一丝回味——对历史的感悟,对文化的理解,对人生的思索全然融在这苦涩后的回味中了。 Hand holding a “Cultural Trick”, with the author’s brush strokes in the middle of the word traveled more than half of China. At the end of the trip, I should have been enthralled by the splendid sights and mountains of the motherland, a long history, and a splendid culture. However, I was unable to intoxicate myself, and my heart felt a bitter feeling. I have always been unaware of the “bitter” word in “Cultural Trick”. At first I thought that it was nothing more than the hardships of travel. I now realize that this is an overly nasty understanding. In fact, it is hard for the body to suffer. It is hard for the heart to suffer. The author once said: “The literati seem destined to be linked to the suffering.” I think this is the literati’s greatest asset. After bitterness will always leave a trace of aftertaste - the perception of history, the understanding of culture, the thinking of life is fully integrated in this bitter aftertaste.