画史上有两则故事:宋徽宗以《深山藏古寺》为题测试画家,结果一幅崇山峻岭中只在泉边坐了个老和尚舀水的作品,被评为最佳。因其妙用一个“藏”字,由老和尚舀水的场景暗示出山中的古庙,意极含蓄;齐白石说:“莫说老夫无境界,虚处藏神我亦能”。他的作品《十里蛙声出山泉》,只画了泉水中的几只蝌蚪,让人自然联想到山泉源头的蛙声。两则故事,都是绘画构图虚实处理极致手法的典型例证。画面构图虚实结合,用可以画的东 There are two stories in the history of painting: Song Huizong tested the painter with the title of “Tibetan temple in the deep mountains”, and he was best rated for testing a painter who was seated by an old monk only in the spring edge. Because of its magical use of a “Tibetan” word, the scene by the old monk to bail water hinted that the ancient temple in the mountains, meaning very subtle; Qi Baishi said: “I do not say the old man without a realm, I also hide the virtual place”. His work, “Frogs come out of the spring,” only painted a few tadpoles in the spring, people naturally think of the source of spring frogs. The two stories are typical illustrations of the ultimate approach to painting and composition. Picture composition of the actual situation with the East can be painted