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拉美的马克思主义与拉美的艺术和历史相关联。该访谈呈现了D.克雷文自1979年以来在艺术理论领域的理论贡献,揭示了拉美马克思主义的种种艺术理论。克雷文认为,在艺术理论领域,拉美的马克思主义决不是单一的,而是多样化的。巴斯克斯的艺术观就是非正统的马克思主义,他在艺术领域广泛接纳了多元主义的观点,发展了独特的马克思主义的美学等,不过他的理论在对待艺术的抽象与现实的关系问题上是宿命论的。拉美的女性主义艺术理论对法兰克福学派进行反思,其对艺术理论的研究发展了现实主义,其中特拉巴通过对马克思《1844年经济学哲学手稿》中有关艺术理论和现实主义的认同,坚持艺术创作的政治立场、艺术的阶级属性。
Latin American Marxism is linked to Latin American art and history. The interview presents the theoretical contribution of D. Craven in art theory since 1979 and reveals various art theories in Latin American Marxism. Craven believes that in the field of art theory, Marxism in Latin America is by no means single but diverse. Vasquez’s view of art is unorthodox Marxism. He widely accepted the pluralist viewpoints in the field of art and developed unique Marxist aesthetics. However, his theory treats the relation between the abstract and the reality of art It is fatalistic. Latin American Feminist Theory of Art Reflects the Frankfurt School, Its Realization of the Study of the Theory of the Art, Trabc insists on the creation of art through the recognition of art theory and realism in Marx’s Economic and Philosophical Manuscripts of 1844 Political position, the class attribute of art.