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这次展出的黑白木刻《后现代主义者的自我解构》,正是他理论思考的形象性外化。后现代主义者正沿着“不断革命”、“颠覆”、“解构”的内在逻辑,最终必然解构到自己头上,李伟把后现代主义自身这种隐性悖论,外化成视觉的艺术形象,颇给观者以教益。这幅作品,无论从思想深度还是从艺术处理上来看,都很有创新的价值。李伟用“后现代”玩了“后现代主义者”一把,观者定会象查波罗什人一样大笑之后,还会获得很有理性深度的回味。这件构思独特的黑白木刻,无疑将会成为中国版画史上一件不会令人忘却的作品。
This exhibition of black and white woodcut “self-deconstruction of postmodernist”, it is his theoretical reflection of the image of the external. The postmodernists are finally deconstructing themselves according to the inherent logic of “continuous revolution,” “subversion,” and “deconstruction,” and Li Wei turned the hidden paradox of postmodernism into a visual art Image, rather to the viewer to teach. This piece of work, both from the depth of thought and from the artistic point of view, are very innovative value. Li Wei used “postmodernism” to play a “postmodernist” one, the viewer will certainly laugh like Chapoluoche, but also get a very rational depth of aftertaste. This unique concept of black and white woodcut, will undoubtedly become the history of Chinese prints an unforgettable work.