在讨论何向阳最新的长诗《长风》之前,我首先想到的是当下诗歌的现实问题。在我有限的阅读视野中,有这样一些将个体的日常本身作为诗歌本体的作品,经验与意义被消解,正如许多先锋作家曾经采取的做法那样,写作即是写作本身,这类诗歌作品将某些日常生活原材料进行集合、分列,诗之真相淹没于失重的日常表象中。时至今日,我们依然看到众多清空了意义甚至个体经验 Before I discuss He Xiangyang’s latest long poem Changfeng, what I first think of is the reality of current poetry. In my limited view of reading, there are such works that use the daily routine of the individual as the body of poetry. The experiences and meanings are eliminated. As many pioneer writers used to do, writing is the writing itself. The daily life of raw materials collection, breakdown, the truth of poetry submerged in weightless daily appearance. Today, we still see many emptied of meaning or even individual experience