中西学术历来各有规范,各成体系,两者既有交流,又有碰撞。王国维当年为《国学丛刊》作序,就指出:“今之言学者,有新旧之争,有中西之争,有有用之学与无用之学之争。”可见学术上的中西之争由来已久。在美术学研究领域,最为重要的中西学术之争应该发生在20世纪90年代,由中国内地去美国发展的美术史学者巫鸿,在美国出版了他的学术 Chinese and Western academic traditionally have their own norms, various systems, both the exchange of both, but also collision. When Wang Guowei published the preface to the “Guoxue Series,” he pointed out: “Nowadays scholars and scholars, there is a dispute between old and new, there is a dispute between China and the West, there is a debate between useful and unhelpful.” " The battle for a long time. In the field of fine arts research, the most important academic struggle between China and the West should take place in the 1990s. Wu Hong, an art historian from the Mainland who went to the United States, published his academic