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电影制片厂的同志们看了一些外国影片,说类似《去年在马里昂巴德》、《8 1/2》的片子不太好懂,不易理解;而《老姑娘》还能理解。我想从这三部影片出发,来谈谈法国和意大利电影的一些情况,谈谈应该如何去看那些影片。应该说,以上三部影片都是有代表性的,是代表西方现代主义电影中的两个流派:一是生活流,二是意识流。意识流是由我们看到的《8 1/2》和《去年在马里昂巴德》为代表的;生活流则是以《老姑娘》和另一部意大利影片《木
The comrades in the film studio read some foreign films and said that similar to “Last year in Marion-Bard,” the film “8 1/2” is not so easy to understand and understand; the “old girl” still understands it. I would like to start from these three films to talk about some of the French and Italian films and talk about how to see the films. It should be said that the above three films are representative and represent two genres in western modernism movies: one is life flow, and the other is consciousness flow. The stream of consciousness is represented by what we see as “8 1/2” and “last year at Marion-Bard”; the flow of life is based on “The Old Girl” and another Italian film "Wood