许润辉的陶瓷绘画,不拘泥于传统的繁重构图,浪漫、轻盈,有野趣,好像穿过杏花春雨的江南,湿漉漉的感觉扑面而来,在这个工业噪音弥漫的时代,表现出了难得的词境和诗情。那些舒展而自由的画面里分明有一种精神关注与想象。面对纷杂的大千世界,许润辉愿意亲近的还是关于童年关于故土关于水乡的一次次回忆与联想。那些疏离的意象画面,那些优雅的黄色和蓝色,那些恣意摇曳的芦苇野草蒲公英,那么自顾吟唱的柔情,那么没有拘束的明艳,那么低头浅笑的一抹含蓄与朦胧,投射的情感却 Xu Runhui’s ceramic painting is not limited to the traditional heavy composition, romantic, light, wild, as if through the spring apricot Jiangnan, wet feeling blowing, in the era of industrial noise, showing a rare word Habitat and poetry. There is a clear mental focus and imagination in those pictures that stretch and are free. In the face of complex world, Xu Runhui is willing to be close to or about childhood on the hometown of water about memories and associations. Those alienated images of those elegant yellow and blue, those swaying reed weeds Dandelion, so carefree tenderness, so unconstrained Ming Yan, then bow to smile a touch of subtle and hazy, projected emotion is