人们不仅研究小说和电影在形式上的互动关系,同时也提出了把两者合并成一个新品种的问题:与许多传统影片的小说式剧本相对立的电影小说。什么是电影小说呢?问题一提出,就有危险陷入一场关于小说和电影之间的一般联系的无谓争论:两者的相互影响、共有技巧、相互易位、相互融合和对应等等。这种争论由来已久,无论在电影评论家或文学评论家的文章里都可以找到许多矛盾百出的说法。 我在本文中的目的是具体地——但不是专门地——考察一批特定的作品,那就是当代电影小说和印行的电影剧本(其读者不一定需要看过与之有关的影片,他们首先是小说的读者而不是影片的观众)。人们无疑将会发现这批为数有限的作品构成了整个电 People not only studied the interactive relationship between novels and movies, but also put forward the question of merging the two into a new variety: a movie novel that is opposed to many traditional novels. What is a film novel? As soon as the question is put forward, there is a danger that a dangerous argument about the general connection between a novel and a movie will be dangerous: the interaction between the two, the common skills, the mutual translocation, the mutual integration and correspondence, and so on. This controversy has existed for so long that many contradictory statements can be found in the essay by film critics or literary critics. My purpose in this article is to specifically, but not exclusively, examine a specific set of works that are contemporary film novels and printed screenplays (the readers do not necessarily need to read the videos associated with them, but first they Is the reader of the novel rather than the audience of the film). No doubt one will find that the limited number of pieces constitute the entire electricity