论文部分内容阅读
本文抛离传统的文学批评模式，尝试用女权批评的新阅读方式解构叶文玲小说；侧重于作品中女性人物形象的分析，论述了女性写作的”双声话语”状态：一方面是女作家以源自于生活实践的朴素感受和对真实的颖悟来关注描述女性人生；另一方面，又由于根深蒂固的传统观念意识，她们在写作中常常遵从于一种男权的价值尺度，用男性话语来规范女性形象。借助于“双声阅读”，我们会发现：女性文本大多呈现出一种分裂、约束状态；作品在表层的“主宰故事”之下，往往隐含有一个“失声的故事”，那是女作家在无意识状态中流露出来的女性真实的生命体验。
This dissertation deviates from the traditional literary criticism mode and attempts to deconstruct Ye Wenling’s novels with the new way of reading which is criticized by feminists. It focuses on the analysis of feminine figures in the works, and discusses the “dual discourse” of feminine writing: on the one hand, On the other hand, due to the deep-rooted traditional sense of consciousness, they often follow the value scale of a patriarchal power in writing and use the male discourse to regulate the female Image. With the help of “double-reading”, we find that most of the female texts present a kind of split and bound state. Under the superficial “dominating the story”, the works often imply a “silent story” Unconscious state revealed in the real life experience of women.