环视当今的古典戏曲研究,其学术路径大抵可分为两种:其一,将更多的视线与精力投向声腔、戏班、服饰、演出、剧场、舞台等要素,偏重于戏曲形态、演剧模式和舞台艺术的考察,“悬置”作家作品、忽略文学观念的演进。其优点是可以迅速开疆拓土、填补空白,形成新的学术增长点。另一种则是回归案头,回到戏曲史特别 Looking around the study of today’s classical drama, there are probably two academic approaches to its study. First, focusing more attention on the soundtracks, troupes, costumes, performances, theater, stage and other elements, emphasis is placed on the forms of opera and the mode of drama And the study of stage art, “hanging ” writer’s work, ignoring the evolution of the concept of literature. The advantage is that you can quickly open up the boundaries and fill in the gaps to form a new academic growth point. The other is to return to the desk, return to opera history special