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一20世纪70年代末,十年“文革”过去,中国历史掀开了新的一页。其时,拨乱反正、除旧布新,最大限度挽回那个时期对传统音乐的破坏和摧残,振兴民族音乐文化,不仅是时代和社会的强烈呼唤,也是广大音乐工作者的历史责任。1979年7月,文化部、中国音乐家协会制定并颁布了“收集整理我国民族音乐遗产计划”的文件,提出有计划、有步骤和系统、全面地收集、整理我国民族民间遗产的要求;并陆续启动了编纂《中国民间歌曲集成》、《中国民族民间器乐曲集成》、《中国戏曲音乐集成》和《中国曲艺音乐集成》的工作。1983年四部
In the late 1970s and the present decade of the “Cultural Revolution”, Chinese history opened a new page. In the meantime, it was not only the strong call of the times and society, but also the historical responsibility of the broad masses of music workers, in addition to uprooting the new ones in order to restore and restore the destruction and destruction of traditional music and rejuvenate the national music culture to the maximum extent. In July 1979, the Ministry of Culture and the China Musicians Association formulated and promulgated the document Collecting and Sorting Out the Plan of the Legacy of Chinese Ethnic Music, and put forward the requirements for collecting and arranging the national folk heritage in a planned, systematic and comprehensive manner in a systematic and comprehensive manner ; And successively started the work of compiling “Chinese Folk Song Integration”, “Integration of Chinese Folk Instruments,” “Integration of Chinese Opera Music,” and “Integration of Chinese Folk Music”. In 1983 four