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新编京剧《香莲案》赢得了广大观众的喜爱,也引发了戏曲理论界的广泛关注。它的创作理念触动了戏曲新剧目创作所面临的诸多重要问题,这些问题不仅关系着一出新剧目的成败,更关系着戏曲艺术未来的发展。当前在各种赛事、各种奖励制度鼓舞下,戏曲新剧目层出不穷,如何让新剧目立得住、留得下,成为戏曲艺术进步发展的阶段性成果,是我们更应该思考的问题。对《香莲案》进行细致解读,从这一成功个案出发深入探讨经典改编、流派传承、新技术运用等与新剧目创作相关的问题,继而展开对“移步”与“换形”的辩证思考。
The new Beijing Opera “Xianglian case” won the audience’s favorite, but also caused widespread concern of the theorists in the theatrical theory. Its creative concept has touched many important issues facing the creation of new drama. These issues are not only related to the success or failure of a new play, but also to the future development of the drama art. At present, inspired by various kinds of events and rewards systems, new drama projects are emerging in an endless stream. How to make the new repertoire stand out and stay as a stage achievement in the progressive development of opera and drama is something we should think about. In this case study, the author deeply analyzes the problems related to the creation of new repertoire, such as classical adaptation, genre inheritance and the application of new technologies, and then proceeds to reform the “step” and “form” "Dialectical thinking.