一、研究问题意义“风格就是人本身”这个对于艺术风格的识见,在历代艺术评论中对于梁楷的评识,相当大一部分是从对于梁楷泼墨简笔风格的推崇与喜爱层次出发的,但身为南宋时期画院画家的梁楷其绘画有细笔和简笔两种风貌,梁楷是一位由工而写的典型画家,从师承处学习传统,经历过画院严谨的训练,其后通过自身的钻研和理解形成了后来独特的洒脱自如的泼墨简笔风格。但 First, the significance of research questions “Style is the person itself ” This view of the art style, in the history of art criticism of Liang Kai’s comment, a considerable part of the style of pen and ink for Liang Kai esteem and love level of departure However, Liang Kai, a painter of the Southern Song Dynasty, possesses both fine and simple forms. Liang Kai is a typical painter written by his laborers. He learned the tradition from the teacher’s place, experienced rigorous training in the academy, After that, through their own research and understanding, they formed a unique style of freehand brushwork. but