我和庄弘醒先生相识、相交既属偶然,也属必然。说偶然,是因为我们原先并不相识,尽管我们供职几十年的两个单位近在咫尺,都从事着相近的专业。说必然,那是一种天定的缘分。我是通过安源君知道庄先生的,而我相信安源君认识了庄先生后必然会跟我谈及他,因为我们在审美趣味和选择上有着高度的一致。当我在安源君的手机图片中第一次看到庄先生的画时,就产生了想见他本人的冲动,因为他的作品能够魔幻般地带领我穿越到一个特定的时空里,真切地感受一个时代的气息,领略一方土地的风情。民国时期的江南水乡,就是这样一个时空节点,这样一个伤感话题使我们的相知与相识成了必然。 I know each other and Zhuang Hong-hing, intersect is both accidental, it is inevitable. By chance, it is because we did not know each other at the beginning, although our two units, serving for several decades, are at our doorsteps and both are engaged in similar majors. That inevitable, it is a natural fate. I knew Mr. Chong from Anyuan Jun, and I believe Anyuan Anyone who met Mr Chong is bound to talk to him because we have a high degree of consistency in aesthetic taste and choice. When I first saw Mr. Zhuang’s painting in Anyuan’s mobile phone picture, I was impulsive to see him because his works magically led me through to a specific space-time, really Feel the breath of an era, enjoy the style of land on one side. During the period of the Republic of China, Jiangnan Water Village was such a space-time node. Such a sad topic made our mutual understanding and acquaintance inevitable.