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在琳琅满目的文学艺术宝库中,郭沫若的《女神之再生》和歌德的《浮士德》是两颗璀璨耀眼的明珠。一般都认为它们属于诗剧。但也有说是剧诗的。如《文学概论》认为,剧诗“是一种采用戏剧对话的形式而创作的诗歌,它兼有抒情诗和叙事诗的某些特点,是戏剧文学与诗歌体裁的结合。如歌德的《浮士德》、郭沫若的《女神之再生》。”要搞清这个问题,首先应严格区分剧诗和诗剧两个概念。
Among the rich collections of literary and artistic treasures, Guo Moruo’s “Regeneration of the Goddess” and Goethe’s “Faust” are two bright and dazzling pearl. They are generally regarded as poems. But there are also drama poetry. For example, “An Introduction to Literature” holds that drama poem “is a kind of poem written in the form of dramatic dialogue, which combines certain characteristics of lyric poetry and narrative poem and is a combination of drama literature and poetic genre. Germany, ”Guo Moruo’s“ regeneration of the goddess. ”" To figure out this issue, we should first of all strictly distinguish between the two concepts of dramatic poetry and drama.