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本文不打算从体制内艺术创作与体制外艺术创作的关系作抽象的谈论,而是想就中国大陆在市场经济条件下的艺术创作状况和机制作一些探讨。1992年以来中国大陆体制外艺术创作状况是本文的关注重点。在笔者看来,在一个人性本质都尚未澄清的前提条件下,艺术创作不可能完全摆脱任何束缚,进入所谓全息自由的境界。从更为现实的角度上说,诗人也好,作家也好,艺术家也好,在他还没有真正摆脱现有体制和现有意识形态的情况下,其艺术创作依然只能是体制内艺术创作,创作所呈现出来的面貌依然只能是体制内面貌。
This article does not intend to abstractly talk about the relationship between artistic creation within the system and artistic creation outside the institution. Instead, I want to make some discussions on the artistic creation and mechanism under the market economy in mainland China. Since 1992, the status quo of artistic creation outside Chinese institutions has been the focus of this article. In my opinion, under the prerequisite that human nature has not yet been clarified, it is impossible for artistic creation to completely get out of any bondage and enter the so-called holographic freedom. From a more realistic point of view, a poet, a writer, or an artist can enjoy artistic creation even within the framework of his own system and the existing ideology. However, The appearance of creation still can only be within the system.