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时下,受众对主旋律电视剧有直率的断定,越是主旋律,越没收视率。在认识论上该观点尽管存在误区,但在某种程度上也反映出时下主旋律电视剧创作的困境。成功的主旋律作品离不开主体的生活化创作,更不开对受众定向和变异性期待视野等审美心理的研究,本文立足于消费语境大时代背景,通过对受众审美心理研究,希冀为主旋律电视剧创作突围有所助益。
Nowadays, the audience has straightforward determination of the main theme of the TV series, the more the main theme, the more no ratings. In epistemology, despite the misunderstanding of this point of view, but to some extent, also reflects the main theme of contemporary drama plight. The main works of success are inseparable from the life creation of the subject, not to mention the aesthetic psychology of audience orientation and the expectation of variability. Based on the background of the era of consumption context, through the study of the audience’s aesthetic psychology, hope is the main theme TV drama breakthrough help.