中国文人画家以萧条淡泊、荒寒简远为山水画的最高境界,欧阳修说过:“萧条淡泊,此难画之意,画者得之,览者未必识也。故飞走迟速,意近之物易见,而闲和严静,趣远之心难形。”欧阳修此番话道出了一些山水画创作涉及的根本问题,这其中又包括淡泊萧条的审美意蕴问题以及“意近之物”与“趣远之心”的审美表达问题。我认为,这两个 Chinese literati painters to indolent, desolate Jane Yuan is the highest level of landscape painting, Ouyang Xiu said: “depression indifferent, this difficult to draw the meaning of the painter, the viewer may not know too. Near things are easy to see, and leisure and quiet, the heart of fun far-reaching. ”Ouyang Xiu spoke of some of the fundamental issues involved in the creation of landscape painting, which also includes the indifference of the aesthetic implications of depression and " Italy The Aesthetic Expression of the Near Objects and the Heart of Interest I think both of them