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早在1890年,随着《唐璜》(OP·20)、《死与净化》(OP·24)、《麦克白》(OP·23)三部音诗作品的公演,年仅23岁的理查·施特劳斯就已经取得了当时最杰出的交响诗作曲家的声望。他继承了李斯特交响诗强调诗意和哲理性的音乐表现,与新的思想必须寻求新的结构形式的创作理念。拓展了对传统文学、哲学、诗文和音乐化表达,形成突出自命文学题目和使用自己独
As early as 1890, with the performance of the three poem poems of “Don Juan” (OP.20), “Death and Purification” (OP.24) and “Macbeth” (OP.23), only 23 years old Richard Strauss has already achieved the prestige of the most outstanding symphonic poet of the time. He inherited Liszt’s symphonic poems to emphasize the poetic and philosophical musical expressions, and the new ideas must seek new creative ideas of the structural forms. Expand the traditional literature, philosophy, poetry and music expression, the formation of prominent self-assertive literature topics and the use of their own independence