论文部分内容阅读
《声无哀乐论》是由“竹林七贤”之一的嵇康所著,文中通过对两位论客的八次讨论,阐述了文章主题“声无哀乐”的音乐美学观点。文中涉及了美学思想中音乐美学的本质与本体的关系问题,音乐欣赏中的感情与声音表达的问题等,重点提出了音乐美学中“声无哀乐”的美学观点。本文通过对《声无哀乐论》的全文思考分析,浅析其所映射出的美学思想。
The book “The Sound Without Sadness and Happiness” is written by Ji Kang, one of the “Seven Sages of Bamboo Grove.” Through the discussion of the two guests, the article elaborates on the theme of music aesthetics of music without sorrow and sorrow . The article deals with the relationship between the essence and the ontology of music aesthetics, the expression of emotion and sound in music appreciation, and puts forward the aesthetic point of view of “sound without sorrow ” in music aesthetics. Through analyzing and analyzing the full text of “Sound Without Sadness and Happiness”, this article analyzes the aesthetic thoughts it reflects.