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在社会主义文化大发展的当代,我们迎来了新的一年。毫无疑问,在中华民族的伟大复兴进程中文化的角色愈益显示出它的重要性。对于美术学来说,重视历史认识与理论建设,是我们当前责无旁贷的目标和任务。陈绶祥先生通过对中国文化来源与中国文化规律的分析,揭示了国画描绘对象的类别特征,以及由此养成的文化把握与创造方式。李荣伟以总结包豪斯设计教育的人文构架为基础,全面反思了中国的设计基础教育。宛少军通过对民国时期社会历史环境的分析,结合当时的文化思潮,以新的视角为我们揭示了民国时期连环画出现、发展的历史情境,交待了当时连环画的社会形象及其形成原因。希望这三篇文章能促使我们的思维进入新的天地。
In the contemporary era of great development of socialist culture, we have ushered in a new year. There is no doubt that the role of culture in the great rejuvenation of the Chinese nation has increasingly shown its importance. For art, paying attention to the historical understanding and theoretical construction is our current duty and task. Through the analysis of the origin of Chinese culture and the laws of Chinese culture, Mr. Chen Shuxiang revealed the categories and features of the objects depicted by traditional Chinese painting and the methods of cultural mastery and creation. Based on the humane framework of Bauhaus Design Education, Li Rongwei fully reflects on China’s design basic education. Wan Shaojun revealed the historical situation of the emergence and development of the comic strip in the Republic of China from a new angle of view through the analysis of the social and historical conditions during the Republic of China period and the cultural trends of the time and explained the social image of the comic strip at that time and the reasons for the formation. I hope these three articles will prompt our thinking into a new world.