自从20世纪我国新兴的美术学校教育制度建立以来,所开设的美术史论专业,基本上是与美术的实践相分离的,它所起到的作用,实际上与面向社会各阶层普及审美鉴赏的修养常识并无本质的不同。究其原因,主要是因为新兴的美术学校教育是从国外引进的,而国外、尤其是西方的学术文化,向来讲究道、器的分裂,也就是理论与实践的分离,具体留待后文另作分析。所以,在西方,美术院校中并无美术史专业的设置,而美术史专业则被作为独立的学科设置于综合牲大学的人文学院中。因此,尽管中国的美术学校中设 Since the establishment of the education system of the emerging art schools in our country in the 20th century, the professional art history theory has basically been separated from the practice of fine arts. It has actually played its role in popularizing the aesthetic appreciation of all levels of society There is no essential difference in common sense. The reason is mainly because the emerging art school education is introduced from abroad, and abroad, especially in the western academic culture, always pay attention to the road, the separation of devices, that is, the separation of theory and practice, specifically left for later analysis. Therefore, in the west, there is no setting for art major in art schools, while the major for art history is set as an independent discipline in the College of Humanities and Social Sciences. So despite the setting of China’s art school