王安忆说:没有戏剧就没有批评。她的意思是批评依附在戏剧之上,戏剧都没有做好,哪来真正的批评?皮之不存毛将焉附?真正的评论和真正的戏剧批评到底有没有?这些年戏剧到底做得怎么样?国外有些戏剧大国,都把戏剧的位置提得很高,认为只有戏剧才能反映一个国家整体的文化水准。在我们国家不好说,以主流戏剧而言,还承担着政策宣传的任务。非主流戏剧虽然多如牛毛,但总体上是戏剧爱好者的自娱自乐。不过艺术上站得住的好剧目,值得谈一谈、议一议、甚至批评一下的戏也还是 Wang Anyi said: There is no drama without criticism. What she meant was criticism attached to the drama, the theater was not done, where the real criticism? The skin of the hair will be attached? The real comments and real drama criticism in the end? How? Some foreign big theater countries, the theater position are very high, that only the theater can reflect a country’s overall cultural standards. Not easy to say in our country, in terms of mainstream drama, but also bear the task of policy advocacy. Although non-mainstream drama superb, but in general theater lovers entertain themselves. However, there is a good repertoire in the arts, and it is worth discussing, discussing and even criticizing the drama