中国现代文学发端于“五四”新文学运动,而中国当代文学指的是1949年新中国成立以后的文学。“零余者”形象最早出现于普希金的著作中,而屠格涅夫《零余者日记》出版后,“零余者”形象开始广泛流行与传播。本文主要探讨了中国现当代文学中的“零余者”形象,以供读者参考借鉴。 Chinese modern literature started with the May Fourth Movement and Chinese contemporary literature refers to the literature after the founding of New China in 1949. The image of “more than a dozen” first appeared in Pushkin’s writings, but after the publication of Turgenev’s Diary of More Than One, the image of more than a dozen became widespread and spread. This article mainly explores the images of “more than one” in Chinese modern and contemporary literature for readers’ reference.